Avant-Garde's topics - tribe.net

Abandoned toys

mysticalfairy — Wed, 30 Jul 2008 18:14:59 GMT

Is anybody else completely loving the new album "the witch's garden", by Abandoned toys? I think its the best contemporary classical album I have come across in years. Truly beautiful. If you don't own a copy, you should really look into finding a copy. I think they have some clips of it on their site at:

http://www.abandonedtoys.com/store.htm

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They, Who Sound and Art League Houston present . . . July 28th

y_e_torres — Wed, 23 Jul 2008 21:40:49 GMT

from Norway
Ingebrigt Haaker Flaten
(bass player for The Thing)

Two Sets:

Trio
Jawwaad Taylor - trumpet, MC/voice, electronics
David Dove - trombone
Ingebrigt Haaker Flaten - bass

Trio
Jason Jackson - saxphones, winds, ?
Chris Cogburn - drums, percussion
Ingebrigt Haaker Flaten - bass

Monday, July 28 8pm
at The Art League of Houston
1953 Montrose
$5 Suggested Donation

http://www.ingebrigtflaten.com/
http://www.artleaguehouston.org/
http://www.myspace.com/theywhosound

mailing list and info - theywhosound@gmail.com

Ingebrigt Håker Flaten (born 1971 in Oppdal, Norway) is one of the most important figures in creative music in Norway – and elsewhere – today.

Coming from a musical family of six sisters and brothers, and a father who played the organ, he started to play piano and guitar at an early age. He switched over to the bass guitar, playing in a gospel choir in his hometown when he was 12. At 18 he moved to norwegian city Trondheim, where he picked up the acoustic bass, and decided he wanted to study at the music academy there, a school that has shaped many of the influental figureheads of the norwegian contemporary scene today. In 1992 he got into the school, and studied there for three years with bassplayer Odd Magne Gridseth, saxophonist Jon-Paal Inderberg and pianist Erling Aksdal.

Since 1995 Ingebrigt Håker Flaten have been a professional musician based in Oslo, and have been an important musician in leading scandinavian bands such as The Source, Element, Maria Kannegård Trio, Petter Wettre Trio, and between 1997-04 toured the world with the famed norwegian keyboard/piano player Bugge Wesseltoft and his New Conceptions of Jazz. Together with Bugge he performed with internationally established artists such as John Scofield (US), Joshua Redman (US) and Eric Trufaz (FRA).

Today Ingebrigt Håker Flaten have released more than 40 recordings and is focusing his work in Atomic, The Thing with Mats Gustafson, Atomic/School Days, Scorch Trio with Raoul Björkenheim, The Electrics with Axel Dörner, Free Fall with Ken Vandermark, Close Erase with Christian Wallumrød, Tore Brunborg Kvartett and is regulary doing solo performances.

Ingebrigt Håker Flaten..s creative and highly original bass playing has been highly regarded all over the world and he have done several performances with major international artists such as Evan Parker (UK), Paul Lytton (UK), Joe McPhee (US), Joe Lovano (US), Yusef Lateef (US), Tony Oxley (UK), Iain Ballamy (UK), Dave Liebman (US), Chris Potter (US), Zim Ngqvana (SA), Benoit Delbeq (FRA), Dr.L.Subramaniam (IND), Billy Cobham (US), Jean Luc Pounty (FRA). He has frequently appeared at important international jazz festivals in Den Haag, Liége, Montraux, Athens/Georgia, Cape Town, Vancouver, Toronto, Montreal, Paris, Istanbul, Saalfelden, Nice, Groningen, San Francisco, San Sebastian, Lüc, Nancy, London, Perpignan, Molde, Perth, Kongsberg, Berlin, Houston and legendary clubs such as New Morning in Paris, Quasimodo in Berlin, Ronny Scotts and Pizza Express in London, Knitting Factory and Tonic in New York, Empty Bottle in Chicago, Blue Note in Yokohama and Hemlock Tawern in San Francisco.

His musical expression is based on the language of jazz and improvised music, acoustic and electronic, but his interest in rock and ethnic music also shows through his collaborations with the norwegian rock bands Motorpsycho and Cato Salsa Experience as well as his work through Rikskonsertene
In July 2003, as the first bass-player in Norway, he released his solo-CD "Double bass" on the norwegian label SOFA.

He has at the tender age of 33 already managed to establish himself as one of the most important exponents of the younger generation of musicians on the european scene today. In July 2004 Ingebrigt Håker Flaten was awarded Kongsberg Jazzfestival official "Vitalprisen" – the highest award for jazz musicians in Norway.

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They, Who Sound - Sunday, May 18th

y_e_torres — Fri, 16 May 2008 15:44:23 GMT

improvised and experimental music
2 different sets per night

May 18th, 2008
FEATURING -

The Annoysters
www.myspace.com/theannoysters

and

Lucas Gorham

at The Backroom (the space behind The Mink)
3718 Main Street @Alabama (Backroom entrance on Alabama)

6pm
$5

Experimental music has a home in midtown – or at least it’s been invited crash there for a couple of months . . .

Iconoclastic noise, exploratory improvisation, hypnotic droning, and authentic "musique brut" have for decades been strong undercurrents affecting movement in Houston’s music (and art). They deeply impact what we hear and feel on the surface. But these scenes (or phenomena – underground music is often not coming from a ‘scene’) also produce many of Houston’s most well-known musical exports (unbeknownst to most Houstonians – even in the music and “cultural arts” communities).

“They, Who Sound” will offer two sets sampling a diverse range of underground music in Houston (with a potential for visiting artists as well) in the cozy environs of Backroom (the space behind The Mink). These shows are not to be missed. These events are early, there’s a bar and it’s on the train route!

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They Who Sound - May 11th

y_e_torres — Fri, 09 May 2008 16:08:05 GMT

They, Who Sound - Sunday, May 11

They, Who Sound
experimental/ improvised/ underground/ sound/ noise/ music/ "musique bruit"/ "experimental hip hop"

every sunday in may and june (except june 22)
at 6pm

at The Backroom
(the space behind The Mink)
3718 Main Street @Alabama (Backroom entrance is on Alabama.)

two different sets each week

this sunday (May 11):
Perseph1/AndAccelerator
+
Jawwaad Taylor/Dave Dove

$5 cover goes to the performers.

Links:
They, Who Sound
www.myspace.com/theywhosound
Backroom
www.themink.org/backroom
Perseph1
www.myspace.com/perseph1
And Accelerator
www.myspace.com/robotdouble

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They, Who Sound - New Series for Underground Music

y_e_torres — Mon, 05 May 2008 21:34:19 GMT

"They, Who Sound"
is a new weekly event offering (mostly regional) voices in experimental/ improvised/underground sound/noise/music/ "musique bruit"

This event will be held at The Backroom (The Space Behind The Mink).
It's at 3718 Main Street @Alabama
(Backroom entrance is on Alabama).
www. themink. org/backroom/

"They, Who Sound"
will be held every Sunday in May and June (except for June 22) at 6pm.

$5 cover goes to the musicians.

It's early on Sunday.
It's casual and relaxed.
It's on the train.
There's a bar.

You like music (and there is a lot of it going on that you don't know about).

There will be two sets every week.

May 11 will feature:
Dave Dove/Jawwaad Taylor
+
Perseph1/And Accelerator

Future shows will feature:
The Annoysters
Sonia Flores
Robert Pearson
Truth-Life-Fiction-Quartet
Paula Anicete
Jesse Kudler
Alexandra Marculewicz

And be sure to add us as a friend ::
http://www.myspace.com/theywhosound

Join our mailing list by sending an email to THEYWHOSOUND@gmail.com

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Peter Brotzmann and Han Bennink - April 27, 2008

y_e_torres — Wed, 02 Apr 2008 18:05:02 GMT

Nameless Sound Presents ::
Pioneers of European Free Improvisation
Peter Brotzmann and Han Bennink
on April 27, 2008

Peter Brotzmann (Germany) - saxophones, clarinets
Han Bennink (Holland) - drums, percussion
Sunday, April 27 2008 at 8pm
at Diverse Works
1117 East Freeway
Houston, TX

$13 General Admission
$10 Students
Everyone Under 18 Gets in For Free
Tickets Available at the Door

For Information,
Call Nameless Sound at 713-928-5653
or go to www.namelesssound.org

Pioneers of European free improvisation, Han Bennink and Peter Brotzmann made a landmark statement together in 1968 with "Machine Gun", the incendiary recording by the Peter Brotzmann Octet. The two continued their groundbreaking collaboration in duo, trio, and quartet settings. After 12 years, the contrast between Brotzmann's severe intensity and Bennink's gleeful anarchy had run its course. In 1980, they went separate ways, playing the last concert of their fruitful 12-year collaboration.

In 2004, Brotzmann organized a series of performances to reunite the duo after a 24-year hiatus. Time added perspective to the work of both artists. Though he still turns up the high heat, Brotzmann now reveals a lyricism at heart of his fury. Bennink's physicality is still prominent; but he has shown himself to be an heir to the tradition of the great swing drummers like Baby Dodds, Jo Jones, and Max Roach.

An art student with connections to the Fluxes movement, Peter Brotzmann rejected a career in the galleries after hearing a concert by jazz legend Sidney Bechet. Self-taught on saxophones and clarinets, Brotzmann played modern jazz influenced by Ornette Coleman and worked with American greats like Don Cherry and Steve Lacy. He was crucial at the beginning of Europe's free improvisation movement. Brotzmann developed a style similar to radical American saxophonist Albert Ayler (without much knowledge of Ayler), an uncompromising, screaming cry that challenged itself to greater heights of rage and energy. Time added subtlety to his sound. Bluesy lyricism and timeless muezzin-like calls emerged in later years. He is one of the most influential saxophone players in free improvisation.

One of the hard swinging drummers in jazz and improvised music, Han Bennink has a reputation as an anarchic and electrifying performer. Well known for his physicality and sense of humor, Bennink's concerts lie somewhere in the realm of virtuosic percussion display and dadaist performance. He is famous for coaxing unusual sounds from his drums, augmenting his kit with found debris, and drumming on any surface available (walls, floors, chairs, his own body). In Holland in the 1960s, Bennink was quickly recognized as an uncommonly versatile drummer. He accompanied visiting jazz greats like Sonny Rollins, Eric Dolphy and Dexter Gordon. At the same time, Bennink helped to create a European improvised music that evolved an identity separate from its jazz roots. His collaborators in the worlds of free jazz and improvisation include most of the important artists in the music: Don Cherry, Misha Mengelberg, John Tchicai, Evan Parker, Derek Bailey, Steve Lacy, Eugene Chadbourne, and many others. Bennink has also performed with the punk rock band the Ex, with whom he has done two tours of Ethiopia.

For more information on Peter Brotzmann, go to:
http://en.wikipedia.org/wiki/Peter_Brotzmann
http://www.efi.group.shef.ac.uk/

For more information on Han Bennink, go to:
http://www.hanbennink.com/
http://www.efi.group.shef.ac.uk/

For more information on Nameless Sound, go to:
http://www.namelesssound.org

"This concert is part of Nameless Sound's Andrew Mark Ladd Memorial Concert Series."

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Friday, Feb 29th :: Tatsuya Nakatani & David Dove - Rare Performance (CHANGE OF VENUE!!!!)

y_e_torres — Thu, 28 Feb 2008 21:20:21 GMT

these musicians are all improvisors and their sound is quite AMAZING!
David Dove rarely performs in Houston so this will be a fabulous treat!

come out to support the show and support the Improv and Creative music scene.

xo

-ms. YET

Tatsuya Nakatani
solo and ensemble sets
(Please note the change of venue below)

Tatsuya Nakatani (Japan/Pennsylvania) - drums, percussion
Jawwaad Taylor (Houston) - MC, trumpet, electronics
Jason Jackson (Houston) - saxophones, clarinet, flute, pocket trumpet, trombonophone
Dave Dove (Houston) - trombone

Friday, February 29 2008
at Free Range Studios (Please note the change of venue)
1719 Live Oak Street, Unit E
Houston, TX 77003
(It is advised that you read the directions to Free Range Studios at the bottom of this thread)

Music at 8pm - Doors at 7:30pm
$7 Donation

BYOB

For info, call 713-228-9110.

"Nakatani's sparse punctuation suggests observance of esoteric ritual."
- Julian Cowley, The Wire Magazine, UK

"Orchestral brilliance, Tatsuya Nakatani is a methodical musician concerned with the development of an idea in time. His beginnings are arresting; his endings are satisfying. The right duration and variety of events are fully charged with a visceral intensity that can captivate a true listener. The music is clear. This CD merits close listening. It will purify any space."
- Review by Eric Zinman, Improvisor Magazine

Information about Tatsuya Nakatani can be found at http://www.hhproduction.org/TATSUYA_NAKATANI_WORKS.html

Directions to Free Range Studios

From Downtown:
East on Leeland.
Pass Dowling Street.
Right on Live Oak
Left on Jefferson Street
Street will dead-end.
Free Range Studios is behind the gate on the left.
It's the first door inside the gate.

From I-45 (Heading North):
Exit Scott Street.
Pass Scott Street. Travel about 1/2 mile down feeder road.
Turn right on Nagle (AFTER the Houston Chronicle sign).
Street will dead-end.
Free Range Studios is behind the gate to the left.
It's the first door inside the gate.

From I-45 (Heading South):
Exit Scott Street.
Make a U-Turn under freeway.
Travel about 1/2 mile.
Turn right on Nagle (AFTER the Houston Chronicle sign).
Street will dead-end.
Free Range Studios is behind the gate to the left.
It's the first door inside the gate.

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Houston Performances in February 2008

y_e_torres — Wed, 13 Feb 2008 00:35:05 GMT

Wednesday, February 13
8:30pm
Rob Cambre - solo
Rob Cambre/Sonia Flores/Jason Jackson - trio
Rob Cambre/David Dove/Jawwaad Taylor - trio
at Super Happy Funland (NEW LOCATION)
http://superhappyfunland.com/

Rob Cambre (New Orleans) - guitar
David Dove (Houston) - trombone
Jawwaad Taylor (Houston) - trumpet, voice, electronics
Sonia Flores (Houston) - bass, voice
Jason Jackson (Houston) - saxophones, clarinet, flute, trombonophone

Sunday, February 24
7pm
David Dove/Thomas Helton/Keith Karnaky/Jason Jackson
at Avant-Garden (NEW NAME)
http://www.avantgardenhouston.com/

David Dove (Houston) - trombone
Thomas Helton (Houston) - bass
Keith Karnaky (Houston) - drums/percussion
Jason Jackson (Houston) - saxophones, clarinet, flute

Friday, February 29
Time to be announced.
David Dove and Tatsuya Nakatani + other guests to be announced
at Super Happy Funland (NEW LOCATION)
http://superhappyfunland.com/

David Dove (Houston) - trombone
Tatsuya Nakatani (Japan/Philadelphia) - drums, percussion

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free concert that you may enjoy:: THIS WEDNESDAY

y_e_torres — Tue, 29 Jan 2008 15:32:59 GMT

Tetuzi Akiyama (Japan) - acoustic guitar
Jozef van Wissem (Holland) - renaissance lute

YOU KNOW YOU WANNA GO TO A FREE CONCERT WITH A RENAISSANCE LUTE!!!

When: Wednesday, January 30 , 2008 at 8 pm

Where: A site-specific performance at
The Byzantine Fresco Chapel Museum
4011 Yupon at Branard, Houston, TX (map)

Tickets: The concert is free of charge

Nameless Sound and The Byzantine Fresco Chapel Museum, in cooperation with The Menil Collection, presents:
Tetuzi Akiyama (Japan) - acoustic guitar
Jozef van Wissem (Holland) - renaissance lute

An artist of starkly contrasting styles, Tetuzi Akiyama gained international recognition as a member of Tokyo's "onkyo" scene of improvisers in the late 1990s. A groundbreaking and highly influential group, the onkyo musicians are known for zen-like subtlety, quietness and a remarkable use of silence. Akiyama's music can have these qualities, but his connections to blues and folk have always been clear. His acoustic performances are delicate, beautiful and expressive, often sounding like an intersection between country blues and traditional Japanese music.

Jozef van Wissem probably plays the most unlikely instrument in the world of contemporary improvised music: the Renaissance lute. He has accomplished the strange feat of bridging the idiom of seventeenth century lute literature and twenty-first century free improvisation. Van Wissem has largely stayed faithful to the particular timbre, resonance and playing technique of the lute. Van Wissem first came to be noticed a few years ago because of his conceptual approach to Renaissance lute music: he deconstructed existing compositions, for instance, by playing them backwards. He also composed his own pieces for lute, using palindromes and mirrored structures. His music therefore does not have a traditional linear progression, nor does it lead to a climax; rather, it stays at the same level of intensity. His music is quiet. It doesn't so much demand concentrated listening, but it brings the listener into a state of concentrated listening—an aspect that makes Van Wissem a natural partner to Akiyama's zen-like blues.

The Byzantine Fresco Chapel Museum was opened in February 1997. Intimate in scale, the Chapel Museum is the repository in the United States for the only intact Byzantine frescoes in the entire western hemisphere. These masterworks from the 13th century—a dome and an apse—were stolen out of a chapel near Lysi in the Turkish occupied section of Cyprus in the 1980s, cut into pieces and smuggled off the island by thieves prepared to sell them piece by piece. The fresco fragments were rescued from the thieves by The Menil Foundation with the knowledge and approval of the Church of Cyprus, the rightful owner of the frescoes. The Menil Foundation then funded a painstaking two-year restoration of the paintings. Numerous private donors helped fund the construction of the Chapel Museum, which combines rough stone, opaque glass and rich woods to extraordinarily spiritual effect. The Church of Cyprus is allowing a long-term loan of the frescoes in the building designed especially for them by architect François de Menil.

For more information on The Byzantine Fresco Chapel Museum, go to:
www.menil.org/byzantine.html

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Concert Announcement: Cooper-Moore Trio

y_e_torres — Mon, 14 Jan 2008 16:29:20 GMT

Cooper-Moore Trio:
Cooper-Moore - piano, hand-crafted instruments
Forbes Graham - trumpet, electronics
Nioka Workman - cello

Saturday, January 19, 2008
8pm
Barnevelder Movement/Arts Complex
2201 Preston, Houston TX

The work of Cooper-Moore is a testament to commitment, vision, spirit, compassion, and invention. Born and raised in the Piedmont Area of the Virginian Blue Ridge Mountains, Cooper-Moore played piano in churches as a child prodigy. In the early 1970's he moved to New York, and began his association with the fertile and revolutionary "loft scene" of underground jazz, collaborating with such musicians as David S. Ware, Marc Edwards, and William Parker. An accomplished composer and virtuosic piano player, Cooper-Moore quit public performance in 1981, depriving the creative music world of a unique and vital talent. He dedicated himself to youth, working intensively with a variety of communities. He has developed and implemented his own music curriculum; and has been sent around the country by Head Start to teach it to others. For the last 25 years, Cooper-Moore has assisted the disabled, the incarcerated, the at-risk, and the underserved; affecting them with his passion and understanding of personal and community progress through creative work.

In the early 90's, Cooper-Moore returned to public performance and was discovered by a new generation of fans. His unique talents were a revelation. He is a renaissance man, whose performances encompass honest and insightful storytelling, wide-ranging explorations on hand-made instruments, and intensely virtuosic piano playing. Cooper-Moore is the quintessential "unsung hero". He is an artist who understands the urgent need for unique voices. He delivers on his commitments, both in the community and on the stage.

For more information on Cooper-Moore, go to:
www.aumfidelity.com/cooper-moore.html
www.hopscotchrecords.com/coope...e.html
www.allaboutjazz.com/php/article.php
www.onefinalnote.com/feature...r-moore/

Upcoming events:

Tetuzi Akiyama (acoustic guitar) &
Jozef van Wissem (renaissance lute)

Wednesday, January 30, 2008
8 pm

in a site-specific performance at
Byzantine Fresco Chapel Museum,
The Menil Collection, Houston TX

Presented by Nameless Sound and Byzantine Fresco Chapel Museum in cooperation with The Menil Collection

Peter Brotzmann/Han Bennink Duo
Peter Brotzmann (Germany) - saxophones, clarinets
Han Bennink (Holland) - drums, percussion

Sunday, April 27 2008
Venue to be Announced.

Nameless Sound
The mission of Nameless Sound is to present the best of international contemporary music and to support the exploration of new methods in arts education. Nameless Sound presents concerts by premiere artists in the world of creative music. In addition, Nameless Sound and its artists work directly with young people in public schools, community centers, and homeless shelters.

For more information on Nameless Sound, go to:
www.namelesssound.org

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This Tuesday, November 27th – Achim Kaufmann/Wilbert de Joode/Frank Gratkowski

y_e_torres — Fri, 23 Nov 2007 23:26:49 GMT

Nameless Sound presents

Virtuosic Chamber Improvisation from
Achim Kaufmann/ Frank Gratkowski/Wilbert de Joode

Achim Kaufmann (Germany) - piano
Frank Gratkowski (Germany) - alto saxophone, clarinet
Wilbert de Joode (Holland) - bass

Tuesday, November 27 2007
at 8pm
at Latham Auditorium, Christ Church Cathedral
1117 Texas Avenue

Cathedral parking garage is on San Jacinto between Prairie and Texas Avenue. Metered parking in the street is free after 6pm.

$13 general admission
$10 students and seniors
Everyone under 18 gets in for free.

For information and directions,
go to www.namelesssound.org
or call 713-928-5653

For more information, go to:
www.achimkaufmann.com
www.gratkowski.com
http://home.tiscali.nl/wilbertdejoode/

Nameless Sound
The mission of Nameless Sound is to present the best of international contemporary music and to support the exploration of new methods in arts education. Nameless Sound presents concerts by premiere artists in the world of creative music. In addition, Nameless Sound and its artists work directly with young people in public schools, community centers, and homeless shelters.

For more information on Nameless Sound, go to:
www.namelesssound.org

Also coming up from Nameless Sound:

Nameless Night.07
Hosted by Star and Jack Massing
Thursday, December 6, 2007 7-10pm
at G Gallery/Redbud Gallery
301 East 11th Street
all proceeds will benefit Nameless Sound

Jack Rose and Donald Miller
Jack Rose (Philadelphia) – acoustic guitar
Donald Miller (New Orleans) – 12-String Acoustic Guitar
Saturday, December 8 2007
Concert will Begin Promptly at 5:15pm
at the Live Oak Friends Meeting House.
Concert is Free of Charge.

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Cage/Oliveros pieces at Burningman

adrian — Sat, 23 Jun 2007 23:09:58 GMT

hey this is crossposted but i'm doing some indeterminate/structured improv. pieces with people at burningman, welcome suggestions, but most of all, play with me! it's going to be awesome.

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San Diego premieres for two violins

xenfan — Thu, 18 Jan 2007 07:32:42 GMT

Concert: "Two Violins" with János Négyesy and Päivikki Nykter.

January 23, 8pm. Mandeville Recital Hall, UC San Diego, La Jolla, CA.

The concert consists of four world premieres and one U.S. premiere. Works by Peter Shuback, Lucas Schultze, Igor Korneitchouk, Shlomo Dubnov, and Kerry Hagan.

Dubnov's work is computer-aided composition. Hagan's work uses real-time electronics.

$8 General admission
$6 Students and Seniors
Free for UCSD students

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New Albion album release - Erdem Helvacioglu

Erdem — Mon, 15 Jan 2007 17:19:29 GMT

Dear Friends,

I am happy to announce that my new solo album has been released by the US label "New Albion"!

Here is the link about the album at New Albion's web site : www.newalbion.com/NA131

This is an album of "solo acoustic guitar and live electronics". The whole album was recorded in real-time without any overdubs. I played the acoustic guitar and controlled the live electronics at the same time.

During the making of this album, Ovation Custom Legend 1869 acoustic guitar, TC Electronic Fireworx multi effects processor, Behringer FCB1010 midi foot controller and the software Audiomulch were used.

If you are interested in ambient, experimental, electroacoustic music and the use of live electronics, feel free to check out the album!

Thank you very much and best regards. Looking forward to your comments!

Erdem Helvacioglu

www.erdemhelvacioglu.com
www.myspace.com/erdemhelvacioglu
* * * * * * * * * * * * * * * * * * * *
New solo album is out now on New Albion Records:
www.newalbion.com/NA131

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long-lost July Fourth Toilet 7" released online!

jodymeme — Mon, 04 Dec 2006 21:49:04 GMT

Childhood Will End
by July Fourth Toilet

A four-song EP recorded in 1996 for consideration of Stomach Ache Records, Childhood Will End is now available for download in MungBeing #11, ten years later! With original (stained) cover art by Robert Dayton salvaged from our archives, and liner notes by Robert and jody franklin. Full lyric sheets included, too!

http://www.mungbeing.com/issue_11.html?page=50&sub_id=626#626

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This song may put you in a trance (mp3) - by Indian in the machine

Indian in the machine — Mon, 12 Dec 2005 05:26:37 GMT

This song may put you in a trance (mp3) - by Indian in the machine

A VERY UNIQUE SENSORY EXPERIMENT Pow wow drum, 2 rattles and binaural beats(3.5-4.5 hz freq. of sound layered within the mix). Sit in a candle-lit room wear headphones...you may see changes in your vision...the doorway to dimensions? check out www.bwgen.com for more about binaural beats.

Download this song and more
http://www.soundclick.com/pro/view/03/default.cfm?bandID=259026&content=music

ELECTRONIC EARTH MUSIC
www.spiritfindermusic.com

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Avant-Guarde venues?

XaosMonkY — Thu, 12 Feb 2004 02:23:00 GMT

I have an Improsational group with homemade electronic Instruments.

Our name is
Inter Vas Naturale Mulieris

are there any venues for such a band to perform at in Oakland or San Francisco?

Avant-Garde's topics - tribe.net

Abandoned toys

They, Who Sound and Art League Houston present . . . July 28th

They, Who Sound - Sunday, May 18th

They Who Sound - May 11th

They, Who Sound - New Series for Underground Music

Peter Brotzmann and Han Bennink - April 27, 2008

Friday, Feb 29th :: Tatsuya Nakatani & David Dove - Rare Performance (CHANGE OF VENUE!!!!)

Houston Performances in February 2008

free concert that you may enjoy:: THIS WEDNESDAY

Concert Announcement: Cooper-Moore Trio

This Tuesday, November 27th – Achim Kaufmann/Wilbert de Joode/Frank Gratkowski

Cage/Oliveros pieces at Burningman

San Diego premieres for two violins

New Albion album release - Erdem Helvacioglu

long-lost July Fourth Toilet 7" released online!

This song may put you in a trance (mp3) - by Indian in the machine

Avant-Guarde venues?

avant-thuggie